
Producer Danny O'Malley from Netflix's "Chef's Table" joins us on Story & Craft.
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Producer Danny O’Malley from Netflix’s “Chef’s Table” joins us on Story & Craft.
Danny is a Grammy and James Beard Award nominee with an Emmy nomination for “Chef’s Table.” We talk about Anthony Bourdain’s impact, Chicago pizza, memorable meals, and how food bridges cultures. Danny also shares his Greek heritage, his love of Chinese food, and his company Before the Butcher.
SHOW HIGHLIGHTS
Danny O’Malley joins Story & Craft
Chicago Roots and Pizza Preferences
Journey into Food Television
Food and Cultural Connections
Anthony Bourdain’s Impact
Memorable Culinary Experiences
A Culinary Journey Through History
Exploring Food Cultures and Personal Favorites
The Uncharted Territory of African Cuisine
The Evolution of Food Programming
The Seven Questions #storyandcraft #Cooking #Restaurants #Chefs #FoodNetwork #FoodTV
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CONNECT WITH MARC
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Full Transcript
Part 1
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Danny O'Malley joins Story & Craft
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Danny O'Malley: You know my first
job was at Taco Bell, and I was
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so excited to be there because
I could make my own concoctions
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out of the Taco Bell Ingredients.
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Announcer: Welcome to Story and Craft.
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Now here's your host, Marc Preston.
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Marc Preston: Okay, here we go back
again, another episode of Story and
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Craft, and I am glad to have you back.
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Uh, thank you so much.
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Uh, also, hey, if this is your first
episode, thank you for stopping by.
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Today is going to be a cool episode.
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As you know, I like to talk about
food, uh, talk to people who make
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it, uh, or film it and, uh, you know,
I like eating it too, by the way.
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Uh, today, uh, Danny O'Malley, he's
a James Beard nominated, uh, writer,
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director, producer, uh, also has a
Grammy nomination, and now he has an
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Emmy nomination for the Netflix series.
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Chef's table.
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He is the executive producer and, uh,
really enjoy talking food with him.
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Talked a little bit about Anthony
Bourdain, as you know, kinda like to bring
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up, uh, the late great Tony Bourdain.
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And it, it was just a great
episode talking about food.
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Uh, so if you got that whole foodie
thing going on, you're gonna enjoy this.
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Uh, do me a favor, if you would pop
over to the website story and craft
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pod.com, everything about the show
you could possibly wanna know it.
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Is there also on your podcast app,
make sure to follow story and craft.
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That way.
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New episodes come out, you get
a notification and, uh, boom.
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There you are listening to a new episode.
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Okay, so let's jump right into it.
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Today is Danny O'Malley
Day on Story and Craft.
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Chicago Roots and Pizza Preferences
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So you're in la but are, are
you from there originally or
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did you make your way out to la?
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Danny O'Malley: No, I'm from the northern
suburbs of Chicago, so like John Hughes,
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uh, movies was the land I grew up in.
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Marc Preston: He really put suburban
Chicago on the map, you know?
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Yeah.
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And, uh, my cousins used to live
in Rockford and uh, and when
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I went up there to go see him.
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I didn't really realize the
geography, Rockford to Chicago.
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I somehow thought I was gonna
see where they made all these
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movies, you know, when I was a kid.
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But, uh, apparently rockford's a little
further away than I anticipated, but yes.
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But of course, since you're, you're
a food guy, I was gonna ask, uh,
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is it Giordano's or Lu Maltis?
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You know, I
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Danny O'Malley: am, I'm a Lou Maltis guy.
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Through and through.
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I, I prefer the tomatoes over the
thick layer of sauce, um mm-hmm.
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That you get at Giordano's and sometimes.
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Uh, the Sier pizzas are a little too
sweet for my taste and I like, uh, just
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the Pure tomatoes on the pizza gives
it a little sourness, which is where my
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Marc Preston: heart's at.
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If I look right behind you, if my
glasses are working right here, you got
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a chef's table peel behind you, right?
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Hanging on the wall?
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Danny O'Malley: Yeah, that's from our
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Marc Preston: pizza season.
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People are very divided on pizza.
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When I was a kid in Dallas, uh,
pizzeria Uno was down there.
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I went on a couple dates there,
but fast foodie version, uh, uh,
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I guess of a deep dish pizza.
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I don't know.
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I'm not familiar.
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I think it
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Danny O'Malley: depends,
depends which one you go to.
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Um, the ones that are downtown proper,
I've gone there and had great pizzas.
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So if you have like regrets that
you didn't go to the right one,
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I think you probably had, if you
enjoyed it, you probably had.
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The right one.
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This pizza season reflects this,
but there's a million ways to make
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pizza and so many of them are great.
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The competition, the pride, the
pinning one against the each other
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is, uh, to me is self-defeating thing.
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And, uh, recognizing the beautiful
kaleidoscope of pizza options in the world
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and being open to enjoying all of them is.
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The proper position In my mind
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Marc Preston: when it comes to pizza,
I'm a big fan of like, uh, places that
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aren't necessarily the best pizza.
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But you go in there and it's like
a pizza place from your childhood.
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It's a little neighborhood place.
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Uh, in the era of, of the
big chain pizza restaurants.
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Um, pizza Hut, when I was a kid,
went and played video games.
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Besides that a lived, yeah.
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And all the, all the neighborhood joints.
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I just love the idea y'all have a
whole season dedicated to pizza.
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That is, uh, that's awesome.
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But, but going back, like as far
as like, uh, production wise.
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Journey into Food Television
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Was the genesis, did you start off in
production or did you have kind of a
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culinary background where, what was the
genesis of you finding your way into, I
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don't wanna call food television 'cause
it sounds kind of dismissive, but you
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know, take putting food stories on tv so.
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Danny O'Malley: My entrance was more
that I came in as a story producer
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on the show in its first season.
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So David Gelb and Brian McGinn sold
the show to Netflix because he made
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a series called Geo Dreams of Sushi
and Oh, yeah, yeah, yeah, yeah.
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And they, they went around
pitching this series as kind
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of an extension of that and.
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I came in as a story producer on
season one, just purely someone who's
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been working at Boardwalk Pictures.
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I've worked on sports stuff.
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I've worked on music
stuff, and yeah, as a story
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Marc Preston: producer, you're kind
of, you're like a utility player.
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They throw you wherever they
need you kind of a thing.
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Danny O'Malley: It's, I
describe it as like the writer.
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In documentary because, um, essentially
our show is very interview driven
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and the story producer's job is
to edit that interview and craft
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what the story is, give it a shape,
find the acts, and they're kind of
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the first line of defense against.
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The material that's ultimately
gonna make the episode sink or swim.
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Mm-hmm.
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Like the visuals are great, but if you,
and the music is amazing, but if you
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don't have a character that you relate
to and a story that's compelling, all
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that stuff will fall flat every time.
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So our ability to push the
limits on these extravagant
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visuals on the show are really.
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Emotional music all depend on
that core thing, which is the
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character having the drive.
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So the story producers the position
that tries to unearth that potential
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and is the beginning of putting that
info, that emotional infrastructure in.
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So all those other things can.
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Be the best version of themselves.
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So my starting point was I just
got in there and it was a job.
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And during our first season,
we didn't really know what
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this being a TV show meant.
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So we ended up, the way I describe
it is I was almost a stenographer
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keeping track of when things worked
and when they didn't, and then
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deconstructed why, and then that made me.
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When we had our renewal for the next few
seasons, we had to bring in other people.
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So I was the candidate for training those
people because I had turned our process
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into a system that could be taught.
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From there, I just found myself climbing
that ladder and next thing I know.
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Our show is at the heart of the food
world, and I'm at a crucial point in it,
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so it's by sheer coincidence I love food.
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Food and Cultural Connections
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When I was a kid in Chicago, I
was chasing the best hot dogs,
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the best pizza, the best burritos.
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Marc Preston: Now that begs the question,
now I've got my opinion on this, but
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does ketchup belong in a hot dog?
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Danny O'Malley: I have no use for it, but
I've had good hotdog with ketchup in it.
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I will defend the Chicago
dog being a my favorite dog.
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I live in LA so every time I walk
out of a concert or an event,
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I'm tempted by a bacon wrapped
hot dog, and it's really hard to.
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Those are amazing.
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Marc Preston: Being from Texas, you know,
mustard goes on a hamburger, you know,
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uh, in fact, when Anthony Bourdain was,
he always talked about meat and tube form.
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You know, every society or culture's
got their own version of it.
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In fact, he comes up.
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You know, somewhat intermittently, you
know, and I, I'm a big food nerd and
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I like to kind of, whenever I have,
I've had like, you know, Andrew Zimmer
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on and, uh, chef Ben Ford and, uh, uh,
Robert Irvine, and I love talking food.
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So this is, this is a joy for me.
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But you would regularly ask people
who, you know, kind of did the
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TV thing, or what is your thought
on food television programming?
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Has it been a good thing
for the culinary world?
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Has it expanded in your
mind like people's.
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Understanding and appreciation of food.
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Is there a lot of saturation of stuff?
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More the lifestyle stuff?
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More the, the what?
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Kinda like what you're up to.
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What impact has that had and
what's your 2 cents on that?
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Danny O'Malley: I mean, overall, I
think it's a net positive, not just
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for the food world, but for the world.
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I think.
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For our generation, the most important
person in this world is Anthony Bourdain.
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Anthony Bourdain’s Impact
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And I think to limit the impact of
what he did to Just Food is Oh yeah.
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To, to really undercut the
contribution there, which is.
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There's a lot of people in the world who
don't have the resources to go see it.
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They don't have the
ability to taste the food.
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Like food is often the
quickest way into a culture.
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'cause we all like to eat, we all
like a big meal and it's a communal
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Marc Preston: thing.
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So it's, there's a social thing
already built into it, you know?
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Danny O'Malley: Yeah.
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And it's like I've, I was filming a movie
in Cashmere earlier this year, and at
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some point I had to go use a. Bathroom.
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So I went into this village where
they let me into a house, and as I
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was walking out, someone was yelling
at me from one of the houses and
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I was like, what are they saying?
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And I was like, I, I
don't speak English only.
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And then someone else came out of the
house and was like, come on in, get lunch.
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We wanna give you lunch.
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And I was like, I'm in the
middle of a film shoot.
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I can, I'm so sorry.
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But just them seeing a
westerner in this remote.
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Um, Muslim Village in Cashmere.
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They wanted to jump up to feed
me, to welcome me into their
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home, and I think there's so much.
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In this world where we're
putting barriers between cultures
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and saying us versus them.
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And I think the power of food
gives us a path into things
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that may not be familiar to us.
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And I think with our show specifically,
we take it a step further and go deeply
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into the human experience of these chefs.
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And the benefit of that there
is you relate to the people.
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You don't just want to eat their food.
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And I think if you understand the
struggles of people and understand
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what they're going through in life,
it's harder to see them as others.
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So, you know, we have
chefs who came from China.
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We have chefs who came from Korea.
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We have chefs who came from
rough areas of New York and.
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These are all places that some people
might not think to go or might not
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think is for them, but by seeing
food that they want to eat made by
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someone whose story they relate to
and they care about that person.
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Marc Preston: You learn so
much about a culture, you
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know, the social, the economic.
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Did you ever have an opportunity
to connect with, uh, Bourdain?
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Danny O'Malley: I did not.
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I never got the opportunity.
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I would've loved to meet him.
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Obviously, you know where I grew up in
northern suburbs of Chicago's a rather
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specific place and kind of shelter.
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It's upscale and you're
told the inner city's scary.
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You're told the world's scary.
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Uh, you.
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You just get coddled in a way
that you don't wanna engage
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Marc Preston: with the world.
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I think you're right.
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Suburban kids are a little limited to
the big chain restaurants, I'm assuming.
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Was it like, you know, Fridays and
chilies and all that kind of stuff?
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Danny O'Malley: I grew up going
to, you know, there was Homer's Ice
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Cream, which I think was just featured
in the first episode of The Bear.
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Uh, from this season there was
Portillos, which is a famous like.
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Chain hotdog place Uhhuh.
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They actually have 'em in LA now.
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Um, you'd go for Italian beefs.
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There's a place called Irving's.
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There's a place called Buffalo Joe's,
which makes like the dirtiest, heaviest
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buffalo wings you've ever had where it's
just, if you let the sauce sit, it would
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split into like seven different Yeah.
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Yeah.
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And they cover the wings and
jalapeno, like pickled jalapenos.
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And what's even better than the wings?
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These crisp cut fries where they put
cheese, um, the wing sauce and the
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pickled jalapenos all on the fries.
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And it's just messy
dirty, but it just hits.
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So like when I was young,
like that was the thing that
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brought me out in the world.
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I'd go downtown to go try a burrito
place or to go try a hot dog.
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And then when I came to LA it expanded to.
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My friends were like, have
you ever had Korean barbecue?
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And then I showed up for that and it
was all these like weird vegetables that
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were pickled, that were all delicious
and textures I've never experienced
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Marc Preston: growing up as a kid,
were your parents, did they kind of
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expose you to other stuff or were
you suburban kid, you're doing the
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pizzas, you're doing what kids do?
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Or were they, you know, making an effort
to get you out to different kind of, uh,
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d different kind of cultural experiences?
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Danny O'Malley: We did some like
a vacation to Italy and things
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like that, but mostly it was
the standard Midwest experience.
249
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The difference was, my mom is Greek.
250
,645 --> 00:13:57,945
Her dad ran their family's diner
in Chicago, which um, was an
251
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institution for a long time.
252
,865 --> 00:14:01,725
It was called the Seminary restaurant.
253
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And a lot of famous mobsters ate there.
254
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Chris Christofferson ate there.
255
,135 --> 00:14:08,775
So on my mom's side of the family.
256
,315 --> 00:14:12,435
There was a cultural aspect to the food.
257
,435 --> 00:14:17,895
So when there was Easter, a Greek holiday,
we'd go to Greek town in Chicago and.
258
,720 --> 00:14:23,730
I'd be exposed to a bunch of different
types of food that most people wouldn't.
259
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And then on the other side of the coin,
you know, my dad just loved to eat.
260
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So if he found anything that was
great, he'd wanna take us there.
261
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And.
262
,685 --> 00:14:38,915
You know, as kids, that's a
way you experience the world.
263
,915 --> 00:14:43,295
You know, my first job was at Taco
Bell, and I was so excited to be there
264
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because I could make my own concoctions
out of the Taco Bell ingredients.
265
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And that curiosity did
drive me to go further.
266
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And I think it was the sort of thing
where I was a little more sheltered.
267
,840 --> 00:15:04,060
I don't know that I was a picky eater as
much, but things like spicy food started
268
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pulling me outta my shell or burritos
when I had the first like non Taco Bell
269
,699 --> 00:15:14,710
burrito, that created a passion that when
I went to film school in la, suddenly I
270
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was chasing every burrito truck I could.
271
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And uh, then there was a point where I
had to eat less burritos for my health.
272
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I switched to Thai food, which.
273
,955 --> 00:15:27,715
Uh, then became a whole
other phase for me.
274
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I got to the point where the Thai
restaurant I went to in Silver
275
,225 --> 00:15:36,535
Lake, they said I was, I ate
spicier than any of their customers.
276
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And when I showed up at
the restaurant, they would.
277
,350 --> 00:15:44,189
The women in the kitchen would
actually look at the window and like
278
,189 --> 00:15:48,870
wave to me and they'd write Danny
level spice on the receipt when they,
279
,189 --> 00:15:52,560
Marc Preston: when you have your own,
you know, some people have their own
280
,560 --> 00:15:56,699
recipe named after them, but when you
have a seasoning level named after you,
281
,699 --> 00:15:58,319
that, that's kind of Jedi right there.
282
,319 --> 00:16:01,860
I appreciate that being, uh,
having the Greek lineage.
283
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Uh, Greeks got a strong.
284
,245 --> 00:16:05,685
You know, not just making Greek food.
285
,685 --> 00:16:08,445
Like I've even going back to Bourdain,
he was talking about one of the first
286
,445 --> 00:16:11,505
restaurants he worked at was a Greek,
but I think it was like a burger place.
287
,505 --> 00:16:14,055
Maybe they did, they didn't
do Greek food, I don't think.
288
,055 --> 00:16:15,225
But you, you hit on something.
289
,225 --> 00:16:15,795
I miss.
290
,125 --> 00:16:18,375
Greek and Indian are two things I love.
291
,705 --> 00:16:20,895
Uh, but what is, what's
your favorite Greek dish?
292
,895 --> 00:16:21,675
I'm curious.
293
,765 --> 00:16:25,815
Danny O'Malley: In my heart
of hearts, Ave. Lemon soup is,
294
,965 --> 00:16:27,210
Marc Preston: that's,
that's the jam right there.
295
,005 --> 00:16:30,915
Danny O'Malley: Like there's a
version from the Greek restaurant
296
,035 --> 00:16:34,845
I used to go to that I absolutely
love that's like so creamy.
297
,845 --> 00:16:36,075
I don't know how they do it.
298
,645 --> 00:16:40,425
Um, but I love sour
soups and it's amazing.
299
,425 --> 00:16:45,825
But then my mom did another version
that I've seen in other restaurants
300
,825 --> 00:16:49,905
too that's just like a little
less creamy and there's more.
301
,745 --> 00:16:55,005
Carrots and things in it, and
both those things are two of my
302
,005 --> 00:16:56,324
favorite things to eat in the world.
303
Memorable Culinary Experiences
,570 --> 00:17:07,829
Marc Preston: Now you're doing the show,
now you have access to great chefs.
304
,915 --> 00:17:12,569
I i, if you were to pinpoint, and I'm
sure there's a number of, of folks, but,
305
,599 --> 00:17:16,079
uh, a, a meal you had and, and, and the
production of the show where you go,
306
,079 --> 00:17:18,510
holy cow, this is like, was transcendent.
307
,569 --> 00:17:22,110
You know, do, do you have a, do you
have a meal or an experience with a
308
,110 --> 00:17:23,730
chef that really stands out to you?
309
,880 --> 00:17:27,120
Danny O'Malley: So there's two I
would highlight that are just like.
310
,704 --> 00:17:28,605
Great examples.
311
,605 --> 00:17:34,995
So one is in Chicago Alinea,
um, oh yeah, it's season two.
312
,995 --> 00:17:40,545
Episode Grant is an amazing chef
that, uh, battled tongue cancer.
313
,575 --> 00:17:45,870
So it's almost like the, the story
of Beethoven losing his hearing
314
,970 --> 00:17:47,685
and uh, took it's almost like
315
,835 --> 00:17:49,515
Marc Preston: theater there
a little bit, isn't it?
316
,605 --> 00:17:50,205
Yeah.
317
,265 --> 00:17:52,030
Danny O'Malley: And I
took my parents and they.
318
,875 --> 00:17:54,195
Didn't know what to expect.
319
,195 --> 00:17:58,455
They just knew that I was treating
them to a very expensive meal in
320
,455 --> 00:18:05,085
Chicago and they're much more, they
don't go out to fine, fine dining.
321
,085 --> 00:18:06,945
They're not keeping up on chefs.
322
,945 --> 00:18:07,875
It's not their world.
323
,875 --> 00:18:12,615
So we went and they sat us all
at a communal table and they
324
,615 --> 00:18:16,695
started see serving little bites
and it all looked pretty fancy.
325
,295 --> 00:18:22,665
And my dad was sitting there with his arms
crossed, and I even have photos of it, and
326
,665 --> 00:18:24,615
he is just skeptical of what's going on.
327
,635 --> 00:18:28,335
And there's these planters above.
328
,784 --> 00:18:33,645
The, uh, table with plants in
them, and at some point they come
329
,645 --> 00:18:38,355
over to water the plants and the
planters had all this dry ice in it.
330
,355 --> 00:18:43,725
So clouds spill out over the table
and they start to serve you cocktails
331
,725 --> 00:18:47,055
and little things, and it just
starts to get more fun and more fun.
332
,205 --> 00:18:51,825
Then they take you into the
kitchen and you have a drink while
333
,825 --> 00:18:57,225
they show this vintage cocktail
maker where they crank one.
334
,750 --> 00:19:02,910
Wheel and it shakes like six different
cocktail shakers at the same time.
335
,910 --> 00:19:04,530
And they pour us all the cocktail.
336
,530 --> 00:19:08,610
They talk about the history of
the machine and then they're like,
337
,610 --> 00:19:10,530
let's go back into the dining room.
338
,530 --> 00:19:14,250
And when you walk in the dining
room, it's completely different.
339
,280 --> 00:19:18,630
While they were distracting you
in the kitchen, you end up seeing.
340
,064 --> 00:19:19,665
Like that.
341
,665 --> 00:19:22,875
They flipped the whole restaurant
in a matter of minutes.
342
,935 --> 00:19:25,455
Marc Preston: Did they do it
just for you and your table, or
343
,455 --> 00:19:26,685
was this like Everybody used it?
344
,990 --> 00:19:27,030
Everyone.
345
,030 --> 00:19:27,314
So everyone.
346
,314 --> 00:19:27,615
Danny O'Malley: Okay.
347
,945 --> 00:19:31,665
Everyone's at a communal table and
then when you walk back out, they
348
,665 --> 00:19:33,705
say, let me show you your table.
349
,764 --> 00:19:37,064
And there's individual tables
and they escort all the.
350
,425 --> 00:19:42,315
Parties to their table, and from
there you just dunno what to expect.
351
,315 --> 00:19:46,035
So I watched over the course
of that meals, it escalated
352
,035 --> 00:19:47,445
and escalated and escalated.
353
,445 --> 00:19:49,815
The twist, the turns,
the unexpected things.
354
,815 --> 00:19:55,545
My dad went from being arms crossed
and skeptical in the beginning to.
355
,085 --> 00:20:01,155
Like him holding the dessert, which
is a floating balloon that you can eat
356
,395 --> 00:20:02,355
Marc Preston: that dessert they do.
357
,355 --> 00:20:05,745
There is like, isn't it, where like
you have the table, but everybody
358
,745 --> 00:20:08,445
comes in, they're adding something
a little bit different, and you have
359
,445 --> 00:20:10,725
this big, looks like an abstract.
360
,505 --> 00:20:12,945
Art piece sitting on a table.
361
,945 --> 00:20:14,235
Is that the, that the They still do that?
362
,235 --> 00:20:14,475
Yeah.
363
,770 --> 00:20:16,245
Danny O'Malley: That, that was one of 'em.
364
,305 --> 00:20:21,165
I'm trying to not give too many spoilers
in case people go, but, but essentially,
365
,165 --> 00:20:25,695
like my dad is a very old school
guy and he is a tough nut to crack.
366
,725 --> 00:20:30,165
And I watched as this dinner
not only transformed him, but it
367
,165 --> 00:20:34,995
started him off in a very defensive
position and he completely changed.
368
A Culinary Journey Through History
,995 --> 00:20:39,135
And then the other big
one was first time I ate.
369
,915 --> 00:20:46,665
Um, at Masala ma, which is from the
season, um, that the Emmy nomination is
370
,665 --> 00:20:50,145
for, and they open up with this dish.
371
,205 --> 00:20:53,295
I tried to get in the episode a
bunch of times, but we just couldn't
372
,295 --> 00:20:55,335
find the place or the way to do it.
373
,514 --> 00:21:01,905
But it's a set of peanuts, boiled
peanuts in this Indian raso sauce,
374
,415 --> 00:21:08,115
and when they bring it out, they
explain that the peanut actually came.
375
,534 --> 00:21:14,085
From the Americas and it
left through Mexico to Spain.
376
,014 --> 00:21:18,794
Traveled to Africa, yeah, and to India.
377
,305 --> 00:21:19,695
And then.
378
,315 --> 00:21:25,995
When people were enslaved and taken
from their homes in Africa, it was a
379
,995 --> 00:21:28,004
part of their culture at that point.
380
,095 --> 00:21:31,395
So they put the peanuts in their
hair, so when they came to the
381
,395 --> 00:21:35,565
US, they could preserve their
culture by planting the peanuts.
382
,685 --> 00:21:40,215
That's where the boiled peanuts comes
from, this, the southern preparation.
383
,575 --> 00:21:44,805
And then when slavery ended, we
all know about the people who went
384
,805 --> 00:21:47,955
north to get away from the culture.
385
,389 --> 00:21:51,180
Of slavery, but there were also
a bunch of people who went to
386
,180 --> 00:21:56,550
Mexico because, uh, slavery was
banned in the Mexican constitution.
387
,180 --> 00:22:01,320
And so when you get that
dish, they tell you the story.
388
,410 --> 00:22:06,000
And an ingredient that you think is
just common in everywhere is suddenly
389
,000 --> 00:22:12,990
transposed over time and integrated with
these systems of colonization history.
390
,965 --> 00:22:20,024
And like all these different factors that
shape the thing that's in front of you.
391
,415 --> 00:22:25,125
And you look at it differently
because you have the flavors of India,
392
,125 --> 00:22:28,515
which are like some of the farthest
reaches that ingredient traveled.
393
,515 --> 00:22:31,755
It all started in Mexico and
it made its way back to Mexico.
394
,785 --> 00:22:31,905
Yeah,
395
,905 --> 00:22:34,005
Marc Preston: I thought it was an
African thing 'cause I didn't even know.
396
,005 --> 00:22:37,485
They, they use it in soups and,
you know, uh, something about just
397
,485 --> 00:22:39,435
one ingredient, how it travels.
398
,035 --> 00:22:41,610
Like for instance, I was watching, um.
399
,270 --> 00:22:46,320
The in search of Mexico, and I can't
think of her name, uh, uh, Longoria.
400
,320 --> 00:22:47,550
I, Eva Longoria.
401
,639 --> 00:22:47,730
Mm-hmm.
402
,730 --> 00:22:51,300
And she went to Monterey and they're
talking about how, and I didn't know
403
,300 --> 00:22:55,830
this as a Jewish kid, uh, that flower
tortillas became a big deal because you
404
,830 --> 00:23:00,210
had a lot of the Jews who left the Spanish
in Inquisition went to Monterey, Mexico.
405
,629 --> 00:23:04,050
Uh, and they called 'em, I think,
crypto Jews where they outwardly, you
406
,050 --> 00:23:07,770
know, or you may look like they're
Catholic, but they would practice at
407
,770 --> 00:23:10,350
home, but they couldn't eat matza,
but they needed an unleavened.
408
,784 --> 00:23:11,415
Thing.
409
,565 --> 00:23:13,365
So they had tortillas.
410
,365 --> 00:23:16,485
I'm like, oh, my people had
something to do with flour tortillas.
411
,485 --> 00:23:18,135
I was like, so proud of my lineage.
412
,135 --> 00:23:20,534
But, um, uh, maybe they should
teach that in high school.
413
,534 --> 00:23:20,865
I don't know.
414
,865 --> 00:23:24,105
To make it history a little bit more
interesting, a little bit more digestible.
415
,110 --> 00:23:24,705
I, you know, I
416
,705 --> 00:23:27,555
Danny O'Malley: think to
me, and this is like a crude
417
,555 --> 00:23:29,175
example, but like, when I was a.
418
,830 --> 00:23:35,409
The magic of transformers as
a toy was suddenly every car
419
,409 --> 00:23:37,090
on the road was a transformer.
420
,120 --> 00:23:37,600
Right?
421
,050 --> 00:23:42,550
And I think when you hear this
story about peanuts, that's
422
,550 --> 00:23:45,399
true of almost every ingredient.
423
,429 --> 00:23:49,540
Like most of these ingredients
didn't start as a thing that's
424
,689 --> 00:23:54,159
existing all over the world, like
techniques or certain technology.
425
,159 --> 00:23:56,020
They traveled at different times.
426
,415 --> 00:24:01,125
I've, you know, been to Greek
restaurants with, um, friends who are
427
,125 --> 00:24:05,925
Japanese and then they look at Terra
Mus and they're like, Tara is a word
428
,925 --> 00:24:09,375
we use to describe Cadro in Japan.
429
,375 --> 00:24:15,675
Or, so there's these kind of links
that are, I mean, I guess we all think.
430
,165 --> 00:24:18,534
The world is mixing for
the first time, right?
431
,534 --> 00:24:21,534
We think the internet is like
now we're finally mixing.
432
,534 --> 00:24:27,354
But the reality is there's been all these
forces driving cultures together, creating
433
,354 --> 00:24:32,034
these communications, all these things,
and something even as simple as tomatoes,
434
,034 --> 00:24:37,915
which we associate with Italian food,
only showed up in Italy 500 years ago.
435
,274 --> 00:24:44,995
So when you know that that's true of
all the food you encounter, it, it.
436
,375 --> 00:24:49,635
Take something that's just a fixed moment
of you're eating a thing and spreads
437
,635 --> 00:24:55,935
it throughout history, time and culture
and space in a way that I think changes
438
,935 --> 00:24:57,645
the way you view everything you eat.
439
,645 --> 00:25:01,995
Yeah, and that's, that's what really
blew my mind about that restaurant.
440
,325 --> 00:25:07,845
You think about how, what these cultures
share, why they share it, the systems
441
,845 --> 00:25:13,425
good and bad, that led to that mixing and.
442
,830 --> 00:25:18,510
It actually gets you to understand
how things work in the world.
443
Exploring Food Cultures and Personal Favorites
,750 --> 00:25:22,740
Marc Preston: As the executive producer,
do you go, you know, you have the luxury
444
,740 --> 00:25:26,160
of maybe staying in an office, but do
you travel for, for every show shoot?
445
,160 --> 00:25:28,260
Are you able to kind
of go to the location?
446
,890 --> 00:25:31,890
Danny O'Malley: Um, I travel
for the ones I direct and
447
,890 --> 00:25:33,780
then some additional episodes.
448
,780 --> 00:25:40,265
But my big role is how the stories come
together in post and how to really COHEs.
449
,280 --> 00:25:42,000
Is that a word?
450
,450 --> 00:25:43,590
Um, to bring We're gonna make it
451
,590 --> 00:25:43,830
Marc Preston: one,
452
,100 --> 00:25:44,550
Danny O'Malley: yeah.
453
,550 --> 00:25:44,560
Yeah.
454
,940 --> 00:25:50,820
To, to bring each chef story into the
fold and figure out what's powerful
455
,820 --> 00:25:56,430
about it and work so that strengths
of the chef and the strengths of the
456
,430 --> 00:26:00,705
show work with each other to make
the biggest impact on the audience.
457
,430 --> 00:26:04,395
Marc Preston: In, in
terms of, um, traveling.
458
,485 --> 00:26:06,315
'cause like I mentioned, my
daughter was in Barcelona.
459
,315 --> 00:26:07,665
I've always wanted to go to Spain.
460
,815 --> 00:26:08,205
Always.
461
,415 --> 00:26:12,825
To me Spain is like the eating the,
the place I want to go eat, you know?
462
,825 --> 00:26:12,915
Mm-hmm.
463
,155 --> 00:26:15,885
But what, what culture, what country
have you traveled to that you're like,
464
,885 --> 00:26:18,495
oh, this is, this is exciting for me.
465
,795 --> 00:26:23,835
Danny O'Malley: I'm obsessed
with Chinese food and I've
466
,895 --> 00:26:26,175
traveled not for Chef's Table.
467
,175 --> 00:26:29,475
I've, I've been to London
and had gee wrong ways.
468
,475 --> 00:26:29,535
Uh.
469
,794 --> 00:26:33,465
Food and she was on our noodle season.
470
,585 --> 00:26:37,875
But I've traveled to China for
weddings and for other films,
471
,445 --> 00:26:40,155
and I can't get enough of it.
472
,485 --> 00:26:45,465
Um, when I eat in LA San Gabriel
Valley, going for Chinese food
473
,465 --> 00:26:47,774
is my favorite thing to do.
474
,774 --> 00:26:51,764
Above all the fancy
options above all of it.
475
,274 --> 00:26:53,925
And then when I cook at home.
476
,375 --> 00:26:59,504
During the pandemic, I just went through
all of fuchsia dunlap's cookbooks and
477
,504 --> 00:27:04,544
I've gotten more Chinese cookbooks and
I'm just, it's what I like to cook.
478
,544 --> 00:27:10,995
It's what I like to eat, and it's
a fascinating place to travel to.
479
,054 --> 00:27:17,294
And there's, I mean, you live and die
a thousand lifetimes and not cover.
480
,804 --> 00:27:19,064
Marc Preston: Well, Dan
would talk about that.
481
,094 --> 00:27:20,625
You know, he said you could travel here.
482
,719 --> 00:27:24,645
I, I forgot, I'm paraphrasing a little
bit, but like, just, you could just travel
483
,645 --> 00:27:28,485
nonstop around China and you are still
only gonna hit the tip of the iceberg.
484
,574 --> 00:27:32,054
You know, you're not gonna
experience at all your experience.
485
,054 --> 00:27:33,195
You've covered a lot of ground.
486
,195 --> 00:27:35,655
You've, you've, you've
interacted a lot of great chefs.
487
,985 --> 00:27:38,715
Is there anybody out there who you've,
who you've wanted to check out?
488
,480 --> 00:27:44,070
You know, firsthand their work and
try their food and experience what
489
,070 --> 00:27:45,270
their whole thing's all about.
490
,270 --> 00:27:47,100
Is there anybody out there
you still wanna check out?
491
The Uncharted Territory of African Cuisine
,370 --> 00:27:52,350
Danny O'Malley: I mean, not a person
specifically, but I think the one thing
492
,350 --> 00:27:57,120
I think about all the time with our show
every season, I'm like, how can we do it?
493
,240 --> 00:28:02,550
Is we haven't done an episode
in Africa and there is so
494
,550 --> 00:28:04,530
much going on in that place.
495
,560 --> 00:28:06,240
There's so much history.
496
,764 --> 00:28:12,915
There's so much conflict, there's so
much joy, there's so much raw human
497
,915 --> 00:28:19,485
life and it's just, you know, our
New York episode in this season with
498
,485 --> 00:28:24,014
Kwame was the closest we came, but
budgetarily, we couldn't make it there.
499
,225 --> 00:28:32,325
It's just really this big gaping white
whale in my mind of just like if we're
500
,325 --> 00:28:34,695
trying to make a show that represents.
501
,460 --> 00:28:44,310
This, the values and the cultures coded
in food and the people who fight to
502
,340 --> 00:28:46,500
make those known and to share them.
503
,830 --> 00:28:53,790
That is the, um, that's the thing that's
just always sit in my head that I, I
504
,790 --> 00:28:57,510
gotta go, we gotta make it happen, and
I don't know how we're gonna do it.
505
,600 --> 00:28:59,250
And I don't know who the shifts are.
506
,805 --> 00:29:01,785
Marc Preston: When you look at
food programming that's out there
507
,785 --> 00:29:05,625
right now, the culinary stuff,
what is missing and what should
508
,625 --> 00:29:07,185
be out there more in your mind?
509
,215 --> 00:29:10,725
Because a lot of it's this competition
and it wouldn't be out there unless
510
,725 --> 00:29:14,085
I had an audience and I get that,
but I, I kind of miss the, just
511
,085 --> 00:29:15,465
sitting down, how do you cook a thing?
512
,465 --> 00:29:17,655
Or maybe let's go travel
somewhere and see it, you know?
513
,655 --> 00:29:19,695
That's kind of what I miss
and I think we need more of.
514
The Evolution of Food Programming
,845 --> 00:29:23,985
Danny O'Malley: So to me, I think
we're probably at a time where
515
,985 --> 00:29:25,545
we have the least amount of.
516
,775 --> 00:29:30,975
Gaps in the food programming
space, but you need to kind
517
,975 --> 00:29:32,775
of expand beyond television.
518
,805 --> 00:29:37,305
'cause I think the how-tos you're
talking about, I think YouTube
519
,305 --> 00:29:39,135
is the place people go for that.
520
,225 --> 00:29:44,775
It's about finding a trusted person and
forming a relationship with that person.
521
,775 --> 00:29:49,215
And they show you how to do the thing
is one way people access it, which.
522
,485 --> 00:29:54,345
YouTube is stealing that format from
cable because it's kind of a place
523
,345 --> 00:29:55,905
where that resonates even more.
524
,205 --> 00:30:01,185
Um, so in my mind you have that,
you have waves of influencers going
525
,185 --> 00:30:05,085
into these restaurants and creating
content that steers people to the
526
,085 --> 00:30:06,795
restaurants and keeps it going.
527
,305 --> 00:30:08,175
You have.
528
,534 --> 00:30:12,284
Shows that get into the cultural
aspects, you have shows that are the
529
,284 --> 00:30:14,235
ones you turn off your brains for.
530
,745 --> 00:30:20,385
And our show is one where I personally
like this is what I look for in anything
531
,385 --> 00:30:26,145
I watch, which is just something where
they are character stories first.
532
,175 --> 00:30:31,695
'cause in my mind, film, visual
storytelling is an emotional medium.
533
,695 --> 00:30:34,365
The stuff I remember
I care about the most.
534
,784 --> 00:30:39,195
Is always character driven stories
that make an emotional impact
535
,195 --> 00:30:42,825
on me, even if it's a comedy,
it's making an emotional impact.
536
,825 --> 00:30:50,325
And in my mind, we kind of filled out that
space and gave this category, which was
537
,325 --> 00:30:52,710
kind of subjugated to smaller visions.
538
,730 --> 00:30:57,750
A proper treatment where we were
like, this is deserving of the
539
,750 --> 00:31:01,890
care that you would give any
other story in a scripted film.
540
,220 --> 00:31:07,860
What that did was it then made it
obvious that chefs and food stories
541
,860 --> 00:31:12,480
were something that people would buy
into, and now you're seeing shows like
542
,480 --> 00:31:16,950
The Bear who are taking it to like an
elevated place in the scripted world.
543
,950 --> 00:31:21,180
You see comedies like
John Favas, chef and.
544
,855 --> 00:31:26,925
A lot of different ways it's
filled out since Chef's Table.
545
,925 --> 00:31:30,105
And I think going back to one of
your earlier questions, that's
546
,105 --> 00:31:36,615
one of the things I'm most proud
of is the show made it so that
547
,615 --> 00:31:40,905
the entertainment world rethought
their bias on chefs and you know.
548
,240 --> 00:31:45,629
Before our show, it was either
the charismatic person telling you
549
,629 --> 00:31:50,520
how to cook a thing on tv, Anthony
Bourdain, traveling the world or the
550
,520 --> 00:31:52,770
anonymous person in your restaurant.
551
,770 --> 00:31:56,490
And I think now when people have
great food, there's more of a
552
,490 --> 00:32:00,149
question of who made this food
and why did they make this food?
553
,149 --> 00:32:01,770
Where does this food come from?
554
,770 --> 00:32:02,550
And I think.
555
,000 --> 00:32:08,010
That used to only exist in the fine dining
space and now that's become a standard
556
,010 --> 00:32:15,330
procedure for everyone, and I think the
show has given chefs a bit of a roadmap.
557
,990 --> 00:32:20,610
Of how to interpret their personal
experience through their food.
558
,880 --> 00:32:23,790
Because you can see all these
different ways people from
559
,790 --> 00:32:25,260
different cultures have done it.
560
,500 --> 00:32:28,650
Some have done it with a lot of
resources, some have done it with none.
561
,190 --> 00:32:33,930
That's the thing I'm most
adamant about is just the food
562
,930 --> 00:32:36,630
world is where we code culture.
563
,690 --> 00:32:40,620
There's so much drama and history in
it, and it's so fundamental to who we
564
,620 --> 00:32:43,020
are that it deserves all the treatments.
565
,665 --> 00:32:45,915
So I think it's filled out a lot.
566
,915 --> 00:32:48,165
I'm excited to be surprised by more.
567
,165 --> 00:32:49,875
I did not see the bear coming.
568
,965 --> 00:32:52,905
I was not convinced that a show
like that could be possible.
569
,905 --> 00:32:56,625
So I'm excited that people are
dreaming and pushing further.
570
The Seven Questions #storyandcraft #Cooking #Restaurants #Chefs #FoodNetwork #FoodTV
,705 --> 00:33:05,865
Marc Preston: I always do
my seven questions and the
571
,865 --> 00:33:08,025
first one custom made for you.
572
,264 --> 00:33:09,615
What is your favorite comfort food?
573
,860 --> 00:33:13,080
It's gotta be deep dish pizza
574
,010 --> 00:33:15,600
Danny O'Malley: or Mao tofu.
575
,960 --> 00:33:17,040
Marc Preston: That's my jam right there.
576
,040 --> 00:33:20,580
That is above and beyond just
regular standard Chinese food fair.
577
,580 --> 00:33:22,169
Like Mao tofu is my jam.
578
,169 --> 00:33:22,740
Love that.
579
,889 --> 00:33:23,970
And I love the fact Bourdain.
580
,970 --> 00:33:24,450
Love that too.
581
,870 --> 00:33:28,290
Um, uh, the next question, if you're gonna
sit down, you're gonna have coffee, spend
582
,290 --> 00:33:31,800
a few hours talking story, and you're
gonna have, uh, you're gonna sit down
583
,800 --> 00:33:33,330
with three people, you and three people.
584
,389 --> 00:33:37,350
Who would those three people be living,
uh, or not, uh, that you'd like to sit
585
,350 --> 00:33:38,610
down and just have an afternoon with?
586
,885 --> 00:33:41,655
So that would be
587
,045 --> 00:33:45,045
Danny O'Malley: Kurt
Gantt, Steven Spielberg.
588
,245 --> 00:33:52,365
And then there's a guy who I think is
wrote the best book on screenwriting ever.
589
,365 --> 00:33:55,485
It's called Invisible Link,
and his name's Brian McDonald.
590
,595 --> 00:34:00,940
Um, those three people are
the people who I think.
591
,920 --> 00:34:06,150
I'll kind of bring different
angles on it, but do work.
592
,150 --> 00:34:12,030
That always resonates with me strongly,
so I'd like to understand more from them.
593
,720 --> 00:34:13,470
Marc Preston: Uh, next question.
594
,470 --> 00:34:16,560
When you were a young guy, who
was your first celebrity crush?
595
,150 --> 00:34:18,870
Um,
596
,679 --> 00:34:21,659
Danny O'Malley: so this is a funny one.
597
,870 --> 00:34:25,170
Uh, well, there's probably
like, kind of two answers.
598
,199 --> 00:34:27,115
When I was a kid, uh, like.
599
,840 --> 00:34:31,500
Second grade, I had a crush on
Cindy Crawford, but it was because
600
,500 --> 00:34:33,780
she was just the swimsuit model.
601
,780 --> 00:34:37,740
But like as I got older in
the eighth grade, I remember
602
,740 --> 00:34:39,420
I had a crush on Francis.
603
,245 --> 00:34:43,790
McDermott in Fargo, which
is a very weird crush.
604
,130 --> 00:34:45,824
Marc Preston: That's a
very eclectic choice.
605
,824 --> 00:34:46,665
I'm, I'm digging that.
606
,725 --> 00:34:48,255
I'm digging that now.
607
,435 --> 00:34:51,464
The next question, if you're gonna be
living on an island whole year, beautiful
608
,464 --> 00:34:54,554
exotic island, somewhere you want to
be, but they don't have streaming.
609
,554 --> 00:34:58,995
So if you wanna listen to music, you
gotta bring one CD and you wanna listen,
610
,009 --> 00:35:00,944
uh, watch a movie over and over again.
611
,035 --> 00:35:01,995
Gotta bring a DVD.
612
,995 --> 00:35:05,355
What's that one CD and that
1D VD you're bringing to the
613
,355 --> 00:35:06,645
island for that whole year.
614
,645 --> 00:35:06,705
Oh.
615
,670 --> 00:35:13,920
Danny O'Malley: I think for CD it
might be melancholy and the infinite
616
,920 --> 00:35:16,200
sadness by smashing pumpkins.
617
,680 --> 00:35:19,860
I mean, it's a double disc,
so I'm cheating, but also,
618
,190 --> 00:35:21,690
Marc Preston: no, hey,
box sets are good, man.
619
,690 --> 00:35:22,950
That's, that's it's practical.
620
,950 --> 00:35:23,490
Yeah.
621
,490 --> 00:35:23,500
Yeah.
622
,500 --> 00:35:26,610
Danny O'Malley: But it also
has the greatest range.
623
,640 --> 00:35:30,660
You know, you have songs that are hym
and an acoustic guitar recording on a,
624
,720 --> 00:35:33,040
like a demo, and it's followed up by the.
625
,365 --> 00:35:41,985
Seven minute Epic Rock song that just
starts hard and ends hard, and then movie.
626
,515 --> 00:35:46,935
I mean, jaws might be the
most re watchable movie.
627
,935 --> 00:35:50,235
I don't know if it's a smart choice
when you're on an island, though,
628
,444 --> 00:35:53,355
Marc Preston: hey, at least it's, it's
a reminder to keep your, uh, awareness
629
,355 --> 00:35:54,495
when you get close to the water.
630
,855 --> 00:35:58,755
Now, the next question I got for you is
if from stem to stern time you get up to
631
,755 --> 00:36:03,735
the time you go to bed, what for you would
be the def definition of a perfect day?
632
,725 --> 00:36:08,565
Danny O'Malley: Um, yeah, I mean,
morning hike in Griffith Park.
633
,075 --> 00:36:11,205
Get up above the city before.
634
,984 --> 00:36:18,825
It's, uh, before everyone else has
go for a breakfast burrito at tacos
635
,825 --> 00:36:21,285
via Corona and at Water Village.
636
,734 --> 00:36:30,314
From there, I think it would be great
to play music, like play with a band,
637
,555 --> 00:36:36,734
something where we just do practice
for a while and or record something.
638
,455 --> 00:36:42,405
And then I think ending with
a meal with a bunch of people
639
,405 --> 00:36:44,265
you really love and care about.
640
,985 --> 00:36:48,915
If you get all that stuff in your
day, you don't need anything else.
641
,185 --> 00:36:49,965
Marc Preston: Well, I mean, I agree.
642
,115 --> 00:36:52,995
Being able to sit down with people
like that is a luxury these days.
643
,995 --> 00:36:55,365
You know, we can get people together
and have nice evening like that.
644
,365 --> 00:36:56,085
I, I miss that.
645
,085 --> 00:36:57,825
I don't get to do it
as often as I used to.
646
,515 --> 00:37:01,065
If you weren't doing this for a
living, if this wasn't an option
647
,065 --> 00:37:04,215
for you, what would be the other
choice that would bring you joy?
648
,275 --> 00:37:06,705
Like, I could do this thing and
I, that would make me happy.
649
,200 --> 00:37:11,730
Danny O'Malley: I mean, when I
started out, my two paths were either
650
,730 --> 00:37:16,320
trying to be in a band or make films,
and I was better at making films.
651
,320 --> 00:37:19,890
So, uh, I, I don't know
that that would work out.
652
,890 --> 00:37:24,450
But I, I've also thought, because
I've gotten very good at telling
653
,450 --> 00:37:29,280
food stories, I've gone on some
trips to wineries where I really.
654
,595 --> 00:37:31,004
Despise the stories.
655
,004 --> 00:37:36,345
They say tell, because it feels
like I actually hate this wine more.
656
,390 --> 00:37:40,484
The, the like story about the
owners just makes me dislike them.
657
,575 --> 00:37:46,064
And, uh, I feel like I could go into
business punching up stories for wineries
658
,064 --> 00:37:48,674
to get them to move more product.
659
,154 --> 00:37:50,535
Marc Preston: The last
question I got for you.
660
,540 --> 00:37:53,325
If, if you got a DeLorean, you're gonna
jump in, you're gonna go back in time.
661
,325 --> 00:37:56,685
You were, you're 16 years old, you
got a piece of advice, you got a
662
,685 --> 00:37:57,835
couple minutes with yourself, like.
663
,040 --> 00:38:00,470
To make that moment in your life
better or maybe it gets you on
664
,470 --> 00:38:01,610
a little bit different path.
665
,060 --> 00:38:04,520
What's that piece of
advice to 16-year-old you,
666
,180 --> 00:38:07,670
Danny O'Malley: uh, run at
the things you're afraid of?
667
,120 --> 00:38:13,940
'cause I think there, you know, I was
someone who was not very, I was very.
668
,580 --> 00:38:15,450
Introverted.
669
,630 --> 00:38:17,940
I didn't like the idea
that I had to pitch.
670
,940 --> 00:38:20,940
I didn't like the idea that I
had to network in this industry.
671
,940 --> 00:38:23,850
I just thought if I got really
good at storytelling, that
672
,850 --> 00:38:25,410
would be the whole ball game.
673
,770 --> 00:38:31,200
And fast forward like 15 years of my
career, suddenly I am raising money
674
,200 --> 00:38:33,900
for a movie no one's asking for.
675
,110 --> 00:38:35,760
And you have to pitch.
676
,760 --> 00:38:37,290
You have to believe in yourself.
677
,290 --> 00:38:40,005
If you want someone to give you
a million dollars, you need.
678
,220 --> 00:38:44,940
To believe in yourself so much that
they will believe in you, and you
679
,940 --> 00:38:47,220
need a dream to believe in too.
680
,520 --> 00:38:48,150
So, and you gotta be able
681
,150 --> 00:38:50,700
Marc Preston: to tell the story, you
know, and it's, you know, that's, that's
682
,700 --> 00:38:53,670
your, that's, that's your jam right
there is telling stories, you know?
683
,880 --> 00:38:54,150
Yeah.
684
,300 --> 00:38:57,270
To me, you're living the culinary
dream and I'm, I'm quite envious,
685
,270 --> 00:39:01,260
uh, that you get to that you've even
been to a Yeah, I've been wonderful.
686
,260 --> 00:39:04,650
Danny O'Malley: Well, if you ever
end up in LA we'll, we will find
687
,890 --> 00:39:06,660
an excuse to go get some food.
688
,765 --> 00:39:10,515
And I think the finish that last
thing on the time travel question.
689
,725 --> 00:39:14,475
And the, the reason why I say
that is because the things
690
,475 --> 00:39:16,845
you fear come for you anyway.
691
,265 --> 00:39:23,085
And they'll either come for you when
you've tried everything to avoid them,
692
,205 --> 00:39:25,185
or you will face them right away.
693
,335 --> 00:39:28,875
And there's no reason to lose
the time because you're afraid or
694
,875 --> 00:39:30,404
think you're not good at something.
695
,404 --> 00:39:32,025
Find out how to get good at it.
696
,145 --> 00:39:33,855
You can get good at it.
697
,855 --> 00:39:33,944
And.
698
,430 --> 00:39:41,070
Just go, go, go, because you
will always feel like there's
699
,070 --> 00:39:42,420
more you could have done.
700
,630 --> 00:39:49,170
You'll always have that room to grow,
to get better and all those things.
701
,170 --> 00:39:53,010
So trust that you're not perfect yet,
and you need to run at the things
702
,010 --> 00:39:55,410
you're bad at if you can't draw hands.
703
,770 --> 00:40:00,240
Sit down, draw a hundred hands, you
know, that's how you learn to do it.
704
,370 --> 00:40:03,390
Marc Preston: Alright, there you go.
705
,390 --> 00:40:07,319
Danny O'Malley, uh, really
enjoyed sitting down talking food.
706
,379 --> 00:40:11,310
Uh, and I made myself thoroughly hungry
in the process here, but, uh, really
707
,310 --> 00:40:14,700
enjoyed sitting down with him and,
uh, talking a little bit of story,
708
,000 --> 00:40:19,799
someone with a, uh, Grammy, uh, James
Beard and now an Emmy nomination for
709
,799 --> 00:40:22,049
Chef's Table, which you can check out.
710
,075 --> 00:40:25,555
Right now on Netflix, uh, really
enjoyed sitting down with Danny.
711
,645 --> 00:40:27,984
Uh, had a blast and now
I'm thoroughly hungry.
712
,044 --> 00:40:29,365
Alright, so I'm gonna get on out of here.
713
,365 --> 00:40:30,294
But, uh, do me a favor.
714
,294 --> 00:40:34,645
Don't forget to go to your podcast app,
follow story and craft, get notified
715
,645 --> 00:40:36,085
every time there's a new episode.
716
,145 --> 00:40:39,895
Leave a review, leave stars rate,
and all that kind of good stuff.
717
,895 --> 00:40:41,515
Helps people to find the show.
718
,575 --> 00:40:44,365
Uh, and everything you could
possibly wanna know about the show
719
,365 --> 00:40:47,875
is at story and craft pod.com.
720
,964 --> 00:40:51,205
Past guests, uh, you can shoot
me a note if you so desire.
721
,440 --> 00:40:53,120
I'm gonna get on outta
here, get something to eat.
722
,180 --> 00:40:54,920
'cause uh, I'm hungry now.
723
,100 --> 00:40:58,730
As you can probably imagine, uh,
you go have yourself a great rest of
724
,730 --> 00:41:02,570
your day, uh, week, weekend, whatever
you got going on, as I always say.
725
,720 --> 00:41:03,200
Thank you.
726
,440 --> 00:41:06,440
Thank you for, uh, making what
I got going on here, part of
727
,440 --> 00:41:07,385
whatever you've got going on.
728
,935 --> 00:41:09,015
And we'll get together soon.
729
,194 --> 00:41:11,745
Talk to you in a few days,
right here on Story and Craft.
730
,895 --> 00:41:14,625
Announcer: That's it for this
episode of Story and Craft.
731
,685 --> 00:41:17,115
Join Marc next week for more conversation.
732
,325 --> 00:41:21,525
Right here on Story and Craft
Story and Craft is a presentation
733
,585 --> 00:41:23,025
of Marc Preston Production's.
734
,055 --> 00:41:25,875
LLC Executive Producer is.
735
,110 --> 00:41:29,530
Preston Associate Producer
is Zachary Holden.
736
,860 --> 00:41:33,400
Please rate and review story
and craft on Apple Podcasts.
737
,460 --> 00:41:37,660
Don't forget to subscribe to the
show on Apple Podcasts, Spotify,
738
,810 --> 00:41:39,250
or your favorite podcast app.
739
,610 --> 00:41:42,580
You can subscribe to show
updates, and stay in the know.
740
,700 --> 00:41:46,840
Just head to story and craft pod.com
and sign up for the newsletter.
741
,410 --> 00:41:48,310
I'm Emma Dylan.
742
,580 --> 00:41:49,510
See you next time.
743
,690 --> 00:41:52,120
And remember, keep telling your story.
Danny O’Malley
Producer | Director | Writer
Emmy Award Nominee · Grammy Nominee
Danny O'Malley is an Emmy, Grammy, and James Beard-nominated film producer. He is best known for his work on Netflix's Chef's Table, where he serves as Executive Producer, and for which he has just been nominated for the Emmy for Outstanding Documentary Series.
He has worked on Chef’s Table for 10 years and over 12 seasons, starting as a Story Producer and working his way up to executive producer. Outside of Chef’s Table, last year, Danny’s first feature, titled Canary, about the pioneering climate scientist Lonnie Thompson, won the prestigious Jackson Wild Media Award for Best Feature.
Danny’s range goes beyond food and science, and having worked several projects in the sports world Shaun White: Russia Calling, Back of the Shop, and Being Mike Tyson. In addition, Danny has worked filming with bands across the US, including Tegan and Sara, The Rentals, K Flay, The Decemberists, Kraftwerk, and more. His documentary, States, from Tegan and Sara's release Get Along, was nominated for a Grammy in the category of Best Long Form Music Video.
Currently, he’s co-founded End of the Road Films to pursue an unexpected range of projects with a focus on quality storytelling. Including an unannounced groundbreaking science series, and the podcast Jacob Reed and Me, was an official selection at the Tribeca Film Festival in 2025.
Check out Danny's Substack here:
https://dannyomalley.substack.com